Showing posts with label family fun. Show all posts
Showing posts with label family fun. Show all posts

Saturday, May 19, 2012

Of Dogs and Cars

I don't mind admitting that I'm a tremendous Dave Barry fan. Over the years I particularly enjoyed his columns that dealt with either dogs or cars. These, because of my own memories with such things, always set me chuckling.

I've dealt with a few dogs myself over the years, ranging from a Heinz-57 variety when I was a toddler (known to me only via home movies), an extremely nervous chihuahua named "Twinkle" (for whom my grandmother was nicknamed), and, when I was a teenager, a neurotic whippet named "Splinter."

Her actual name was not Splinter. She was in reality an AKC-bred whippet and a name like Splinter does not sit well with the AKC for purposes of registration. So her registered name, dreamt up by my father (proving once again that his sense of humor extended beyond merely creating five interesting children) was "Fleetfoots Frangere Dubois." This appropriately pretentious-sounding name was, in fact, a loose composite of French and Italian for "splinter of wood," except for the Fleetfoots part, which was the name of the breeding farm where Splinter was dropped off by extra-terrestrials during an emergency.
Loudspeaker on ET's bridge: Warning! Transwarp engines reaching critical mass! Eject the whippet core!
ET would use whippets for their spacecraft because these dogs, bred as miniature greyhounds, are lightning fast. We were never rich or pretentious enough as a family to do anything like turn Splinter into an actual racing dog, so her primary form of physical activity was going to the school yard next door and running around like an antelope on meth. I'd let her off the leash, and she'd leave me behind in a cloud of dust. Only an occasional sonic boom would indicate her approximate position. Her favorite trick was waiting for a larger dog, like a labrador or a shepherd, to wander into the school yard and then - ZOOM - she'd run right underneath the larger dog, sending that animal into paroxysms of barking and howling, begging his owner to let him off the leash so he could hunt her down and turn her into a snack.

Ironically, they wouldn't have had to try very hard if they'd simply wanted to get rid of her. Splinter was a very high strung animal. Her nervousness was such that if our cat happened to wander into the house (on those occasions when she deigned to let us feed her), Splinter would immediately take up residence under our couch and refuse to come out until the cat stopped threatening to shred her like an old credit card.

I've since been told that whippets are, in fact, highly intelligent animals and capable of amazing feats beyond just running faster than our current fleet of F-22s.

Right.

Splinter's main amazing feat was her ability to jump over a given fence or wall, while still chained in our yard, and effectively hang herself in the neighbor's yard. She did this frequently because we spent a lot of time in our neighbor's pool next door during the summer, and Splinter could not bear to hear us having such a good time without her. Since I was a mindless teenager, I usually forgot to shorten her chain and she would easily jump the six-foot fence into the next yard. The chain, however, was only long enough to clear the fence with about three feet of chain left.

Ah, the good times.

This morning I was reading about Dave's experiences with buying a car. This reminded me of my Dad's stories about various cars he'd owned. Our family owned cars that were not what I would call muscle cars. Our cars tended to be technological weaklings that other cars could not resist kicking sand at while on the beach.

The coolest cars we owned were handed down to us by my grandparents who had themselves moved on to muscle cars and gave us what were, when they owned them, perfectly serviceable automobiles, but which became, after our family got hold of them, simpering, blithering shadows of their former selves. Even our Chevy Bel-Air (1955! Baby blue!) could not long withstand our inability to keep any car running without developing some sort of fatal car disease. In the Bel-Air's case, a transmission that somehow or other lost the ability to move in reverse. This meant never parking anywhere that we could not move out of nose-first. If we parked in a driveway, it had to be steep enough to allow us to drift backwards in neutral all the way into the street so we could then move forward.

Once upon a time, Dad told me about a car they bought mostly on the recommendation of my grandfather (my mom's Dad). It was called the "Goliath," and Dad hated this car. Thanks to the internet, I now know that the Goliath was of European design and build and was considered "revolutionary" for its time. However, the words "two cylinder, two stroke engine" helped me understand the vitriol my father felt for this car. Dad would have considered this car a lawn mower with a trunk and a steering wheel.

Dad bought the Goliath and before long developed the kind of relationship with it that was similar to Ralph and Alice Kramden in "The Honeymooners." Except that Dad's language when dealing with Alice (the Goliath) was much more colorful than anything Jackie Gleason ever came up with.

My favorite story about the Goliath, however, was one which always caused my mother to shrink back into the couch and try, if possible, to disappear. This is because she was actually with Dad when this happened, and she tried the same trick in the front seat of the car.

Dad had pulled up to a red light and - only because the law required it - stopped. The car, sensing an opportunity to get some well deserved rest, expired. Being Los Angeles (the Big City!), some gracious lady pulled up behind Dad at the light. When the light turned green and Dad was frantically trying to get the Goliath resuscitated, the lady began honking her horn. Those of us who knew and loved my Dad could just envision Dad's reaction to this lady's helpful horn blowing. After a moment or two (I reckoned Dad's legendary patience would have been strained after precisely two honks, but that may be a slight exaggeration) Dad got out of the car, walked back to the helpful lady and said something to the effect of, "Look, lady. I'll make a deal with you. You come start my car, and I'LL SIT HERE AND HONK YOUR #$&*%! HORN!" Mom, at this point, was attempting to phase into an entirely different dimension.

I'd tell you about the joys of being a two-Volkswagen family when I was a teenager, but I think Dad's patience has had all it can stand for one post.

Tuesday, March 16, 2010

As Bad as Film Gets

So we're browsing through Blockbuster last weekend, looking for entertainment. We do that occasionally, and we're not too proud to scan the tables for bargains, either.

Whilst scanning the recent releases, I saw one called "The Bracelet of Bordeaux." Looked like one the Woodyettes might enjoy as it had a solve-the-mystery back story, and the girls tend to enjoy those. We decided to make this our dinner-time movie tonight (Del Taco taco night!) and settled in to watch.

Those in my family will appreciate this next statement. "The Bracelet of Bordeaux" is the Mrs. Miller of cinematic achievement. But less comical.

It is my habit with films of this caliber to check out IMDB for certain details. Two things caught my attention. It was previewed in 2007 at the "Austin Film Festival" (two and a half stars!). The Austin Film Festival purports to celebrate the "writers' contribution to film." This film must have been entered under the prestigious "Writers Not Yet Having Graduated Junior High School" category. The film apparently did so well that the producers required a full year and a half to recuperate enough to give the film a "limited" release last May.

Equally impressive was it's reported budget of $70,000. That's right: seven-zero thousand. I'm guessing most of that went toward bribing theaters to actually show the film. At $70K this film is clearly overpriced. I'm not entirely certain the producers didn't need to take out a second mortgage to cover the cost of pressing the two or three copies of the DVD that eventually found their way into unsuspecting homes like ours.

The thing is, it could have been fun. The premise, while not original, sounded fun: kids solve a local mystery with the aid of a magical bracelet. The set-up scene, by the way, was far more impressive than the rest of the film. A lady spy is seen at the end of World War II putting the bracelet into a trunk, after showing just a hint of the bracelet's power. Had the movie ended at that point I would have considered it a fair effort.

Sadly, they plowed ahead and finished it. Worse yet, so did we.

Now, the Woodyettes watch their fair share of fluffy kid movies. They have every kid movie of any note (that have girls in them, anyway) from the Spy Kids all the way down to every Barbie movie ever foisted on the public. They love Matilda. They lap up the American Girl films. Eloise was a big hit for them.

They could not WAIT for this one to be over.

Neither could I. In fact, I wrote this entire review in the closing fifteen minutes of the movie, including the big breakup of the dog-napping gang. At fifteen minutes, this column is entirely too generous to this film.

Avoid at all costs.

Sunday, February 21, 2010

The Not-So-Cranky Reviewer

Your humble reviewer has occasion to immerse himself in theatrical experiences in a variety of venues covering a fairly broad expanse of this nation of ours. I've visited theaters throughout California, Arizona, Utah, Oklahoma, and Washougal, Washington.

If you're anywhere near the Vancouver/Portland (the other Vancouver!) area today or next weekend, you owe it to yourself to enjoy "Beauty and the Beast" as presented by the Christian Youth Theater group. This is, of course, the Disney version of the show and is being staged in the Washburn Performing Arts Center at Washougal High School, about twenty minutes' drive from Vancouver, Washington.

Back in the day, yours truly was privileged to participate in the Teenage Drama Workshop. This was a summer drama camp that presented several musical productions throughout Simi Valley, California. The format was that of a true workshop; classes were given in various stage techniques, including set design and construction, as well as music and acting. It was all-inclusive and gave the students a chance to participate in all of the theatrical disciplines. The Christian Youth Theater is similar to this concept, except that it runs throughout the school year. They offer ten week sessions, at two hours per week, and an opportunity to participate in a major production. (I use "major" in the sense of "one humongous headache for the producers, but one thrilling show for the actors.")

The results are impressive.

Director Starleen Benke has crafted a wonderful children's fairy tale that can be enjoyed by audiences of all ages. This is possible because the kids, typically aged 10 through 18, have tremendous energy and not an insignificant amount of talent. The casting was extremely well balanced as to the ages and abilities of the principals. The chorus performed with tremendous gusto. On the one hand it's possible to argue that it's hard to go wrong with a Disney score, but it's altogether too easy to over-do such things. In the case of an iconic Disney characterization with so many familiar and favorite characters (Belle, the Beast, Cogsworth, Lumiere, and so on) it's even easier to fall into the emulation trap.

However, Benke largely succeeded in making the show her own, and allowing the kids to develop some wonderful characterizations along the way. My only quibble was with Belle (Abby Thompson). A wonderful actress with the chops required for the songs, they tried too hard to make her sound like Belle from the animated original. Indeed, it's hard to do any such production without at least trying to somewhat emulate these characters, but a female voice like Belle's is unique with its own timbre and cadence. Trying so hard to match those vocal qualities is akin to all those child actors of the 30's and 40's trying to sound just like Shirley Temple. It grates on the nerves after awhile. Still, such things are the responsibility of the director, and Ms. Thompson's performance was in all other respects equal to the task. Her singing left nothing to be desired, and she played a perfectly delightful Belle.

Also delightful was Casey Pitel as the Beast. A tall, good-looking young man, Casey brought a nice touch of vulnerability to his cantankerous exterior. He was also quite athletic in leaping about the stage, and highlighted the skills and talents of the ever-unseen set designers and carpenters.

All other support characters, from the pompous and fragile Cogsworth, to the effervescent and over-the-top Lumiere, down to the "Silly Girls" who titter and giggle endlessly over Gaston were all well casted and fun to watch. Mrs. Potts had to reach down in her range to handle the eponymous "Beauty and the Beast" number, but did a very credible job. Also worth mentioning are LeFou (Alex Low), Madame De La Grand Bouche (Janelle Harriman), Cogsworth (Scott Bradner), Lumiere (Caleb Adderly) and a wonderfully flirtatious Babette (the very French feather duster from the original) played by Aimee Hogan.

The production numbers were all comprised of a terrific form of controlled chaos, including some better-than-average dancing.

All in all, this show is well worth the $10 per seat. My entire family enjoyed themselves tremendously, and I'm pretty sure you will, too.

Wednesday, January 20, 2010

Yikes!

Ushering in the holiday season last month, my extended family participated in a creche exhibit/concert series for the Simi Stake. We called ourselves "The Kindred Carolers," and we may have a return engagement this year if they get desperate enough or have very short memories. Anyway, Cameron links to a duet that we did (following a solo effort by yours truly) that was actually quite fun. We haven't sung together for about 20 years. In my own defense, I will only say that I was trying to ward off a very nasty case of bronchitis, and hadn't quite recovered my full upper register when we performed this in early December.

If you're feeling adventurous, scroll to the bottom of his post and check the video. There are others if you care to hear the whole family in action. We had a good time, all things considered.

Saturday, January 31, 2009

Just to Mix Things Up

I apologize for the dearth of blogging of late. I'm normally much more vocal than this, particularly when I fear that we'll soon be printing money so fast that we'll quickly end up with hyperinflation a la post-war Germany when the Papiermark collapsed was ultimately replaced by the Reichsmark at a rate of roughly one trillion to one.

In the meantime, Hacienda Woody is gearing up for a momentous event. In late March and early April our Stake will produce "Savior of the World," a musical drama originally commissioned for the opening of the Conference Center in Salt Lake City. I say "momentous" because all four of us are participating in this production, Woodyettes included.

Since we're up to our necks in rehearsal (or would be were it not for this dratted bronchitis/flu we seem to be fighting at the moment), it's entirely possible that blogging from Yours Truly will be light — even non-existent. My apologies. With that in mind, however, look over at The Inner Dad for updates related to the show, and even links to a few production photos.

Cheers!